Archive for March, 2011

NYC’s Extinct Blooms in the NYT

NYC’s Extinct Blooms in the NYT . . .

New York City’s wildflowers have made the op-ed page of today’s Sunday edition of the New York Times.

Mariellé Anzelone, an urban conservation biologist and the executive director of NYC Wildflower Week, penned a short essay about a dozen native species of wildflowers now extinct in the region. Her words are illustrated by Wendy Hollender, a botanical illustrator and the author of Botanical Drawing in Color. You can view their collaboration here:

“When New York City Bloomed” 

http://www.nytimes.com/interactive/2011/03/25/opinion/20110326-opart.html#1

For more information regarding NYC Wildflower Week, you can click the link on the Blogroll located to the right, which will take you directly to the organization’s homepage.

- rPs 03 27 2011

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Happy (1st) Anniversary

Happy (1st) Anniversary . . .

A carpet of Red Deadnettle (Lamium purpureum) soaks up the afternoon sun in Hudson River Park. (photo taken 03 20 2011)

 

One year ago today, on March 22, 2010, I wrote:

“Welcome to Wildflowers of the West Village . . . 

. . . where nature and the city intersect . . . in New York City.”

So began my first foray into the blogosphere. Thirty-four posts, and nearly 2,500 visitors later, I have enjoyed following a trail of discovery and documentation that has introduced me to over thirty varieties of native and immigrant wildflower species, each one residing somewhere within this Manhattan neighborhood. The search for these plants has been a pleasure and, as I have found with the arrival of the new spring, ongoing. Recently I discovered several more early-season wildflowers that I either overlooked or missed outright last year, which promises to make this second season of investigation equally as active. The fun has just begun.

To celebrate, in part, my wife and I took a Sunday stroll along the Hudson River Park waterfront. We retraced the path we took last year that lead me to the spot of initial inspiration: a young oak tree that had blue Siberian squill blooming around its base. The sunlight was much stronger than last year, but we found the same tree along with the same perennial companion. I took a photo from roughly the same position:

The view that inspired Wildflowers of the West Village: one year later. (photo taken 03 20 2011)

 

Nearby, I found a grassy hummock carpeted with Red Deadnettle, Lamium purpureum, in full bloom. This member of the mint family, a relative of Henbit, created a sun-bathed scene as pretty as any image of the English (or Catskill) countryside. The view provided me with another example of my basic philosophy regarding such plants:

“Wildflowers, NOT Weeds”

The general opinion surrounding the subject of native versus invasive plants is quite lopsided. The call for the complete extirpation of invasive plants is next to unanimous. My dissenting minority view is that first, invasives should be respectfully referred to as immigrants, as these plants are to this country’s flora what all but native Americans are to North America’s human inhabitants. Then there is the Quixotic futility inherent in an attempt to remove foreign species – many of which have a cosmopolitan distribution -  from the American scene. I shall willingly support and happily assist all organized efforts to restore native plant species to park lands and undeveloped wildlife habitats, but in tight urban areas, especially, I will welcome the presence of any blooming thing.  Complete eradication from our nation’s borders is impossible from a practical standpoint, so invasive species are here to stay, meaning they have, by default, become naturalized. They all are now, going forward, American natives. Any blooming wild plant can be an asset (a protection against soil erosion, for example) and an object of beauty (especially in an urban environment starved for green space). RED clover, WHITE bindweed, and BLUE Asiatic dayflower blooming in an AMERICAN city where tree pit and vacant lot provide the nature for a neighborhood is better than dead space filled with miscarded (my word for improperly discarded) plastic bags and bottles.

My opinion is that of a distinct minority, but what else could one expect from an author who is best known for writing about fly fishing in urban settings? Long focused on the art of the city fish story, I found metropolitan wildflowers to be a natural offshoot of my quest to develop further as an urban(e) nature writer. Many of the narrative passages in my two collections of fly fishing essays, Philadelphia on the Fly and Small Fry: The Lure of the Little feature passing descriptions of wildflowers. Marsh Marigold, Chicory, and Queen Anne’s Lace are so prevalent along ponds and streams that I would have been remiss had I not made mention of their presence on the scene. Only after I began to mull over subjects for my third book did I consider wildflowers as a central theme. The idea quickly bloomed into a serious project and, ironically, it was not because of the writing. I have included original line drawings of fly patterns in my first two books and botanical illustration has been one of my lifelong interests. The concept to write about what I love to contemplate, photograph, and draw made for one of those light bulb moments. The result of that yearling idea is the illustrated manuscript-in-the-making presented here before you.

Happy (1st) Anniversary, Wildflowers of the West Village . . .

– rPs 03 22 2011

Postscript . . .

You can view the original photo of the tree that inspired Wildflowers of the West Village here:

http://wildflowersofthewestvillage.com/category/welcome/

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The Easter Egg Effect

The Easter Egg Effect . . .

Easter Eggs: a group of Spring Crocus, Crocus vernus, emerge from the undercover on The High Line. (photo taken 03 14 2011)

 

The emotional appeal of wildflowers, especially those found growing in an urban setting, can to me be summed up in something I like to call “The Easter Egg Effect” – that feeling of excitement, instigated by discovery, akin to a child finding a pastel egg hidden within the grass in the backyard. I began Wildflowers of West Village just under a year ago after one such pivotal moment. I was walking with my wife on a pleasant Sunday afternoon on the first day of spring. The Hudson flowed to our right as the park on our left became bathed in the thin setting sunlight of the Equinox. My eye caught sight of a patch of pale blue Siberian squill flowering at the base of a tree. The rest of the surrounding parkscape remained primarily brown, so the presence of living color stood out even more distinctly. We headed home, feeling rejuvenated by the first visible sign of the natural world’s reawakening, and simultaneously the idea for a new nature writing project began to bloom.

This year I first felt The Easter Egg Effect on the opposite end of the Christian Lenten calendar; during its opening week, just after Ash Wednesday. I was out for a walk yet again, this time along a unique Manhattan greenway: The High Line, one of the most popular public destinations in the West Village. Once an abandoned elevated railroad spur, the former West Side Line was converted over a decade into a belt stretching from its terminus on Gansevoort Street north to West 20th Street. After opening in 2009, the response was immediate and enthusiastic. Flanked by impressive architecture like the Standard Hotel and Frank Gehry’s futuristic IAC Building, the park’s benches, art installations, and plantings attract models, rock stars, and tourists from around the globe. They can be found daily socializing as well as photographing and filming themselves, distant views of the Hudson River, and close up portraits of this unique urban green space, which also happens to be my front yard.

As a writer focused on outdoor sports and nature, I find it ironic that Fate has me residing around the corner from this premiere example of urban nature. Beyond that, the greenway provides me a quick and traffic-free route uptown. Often, to the bemusement of international tourists, I can be found carrying dress shirts and spare hangers in hand on the way to my dry cleaner on 18th Street. I like to think the sight of me going about my mundane daily business portrays me as a goodwill ambassador from the neighborhood, a reminder to visitors that regular people with daily lives – and chores – reside here, too.

So it was that during a run to the dry cleaners I caught sight of an initial sign of the impending spring: a pastel purple crocus, Crocus vernus, starting to flower beside the rust brown rails of the High Line. The blooms, still cupped and closed, even resembled colored eggs.

Crocus vernus sprouts from the repurposed railway of The High Line. (photo taken 03 14 2011)

 

Later in the week I found another variety, the Dutch Yellow Crocus, Crocus flavus, coloring the gardens of St. Luke in the Fields.

Dutch Yellow Crocus, Crocus flavus, blooming in the gardens of St. Luke in the Fields. (photo taken 03 13 2011)

 

Along the hedge line of Hudson River Park I found an entire croci community of white Crocus vernus about to flower.

A colony of white Crocus vernus about to bloom in Hudson River Park. (photo taken 02 28 2011)

 

While not wildflowers in the pure definition, most varieties in the Crocus genus have gone feral or become naturalized to the extent that the distinction between wild and cultivated has become blurred. The presence of their blooms in unexpected places – like an elevated railway or a corner of a vacant lot in Manhattan – appears like a shiny penny in the gutter, or a decorated egg in the backyard. Embodied in such sudden wild flowering, the joy of spring is evinced by The Easter Egg Effect.

 – rPs 03 14 2011

Postscript . . .

The High Line and Friends of the High Line maintain a website for more background information –  http://www.thehighline.org   – and remember, if you do visit, look don’t touch. As the sign says . . .

Sign on The High Line. (photo taken 03 14 2011)

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